The success ratio on the films based on paranormal activities is many times very high and a heavy amount of profit has also been seen. Looking to the advantages of these kinds of movies there are also some of the spoilers who follow the league in making these movies.

The devil inside is one of the example of the movies that is based on the paranormal theme and has failed badly. For the director William Brent Bell, movie might have been good if more effort had been put on the ending instead of relying on footage trends.

You could have easily got the plot of the movie if you have watched trailers of the movie. The story runs around character of Isabella Rossi acted by Fernanda Andrade and Michael who is a documentarian, role played by Ionut Grama. Michael has come from America in a psychiatric hospital of Rome. He has come so far to meet Isabella’s mother, the character played by Suzan Crowley.

She has been accused for murder of three people at the time of her exorcism. Isabella and Michael team up with two priests David and Ben who work secretly in many unauthorized cases of demon possession. All four of them, together try to investigate the mystery of Isabella’s mother, and also they try to combat their own demons at the same time.

On the whole the premise of the movie arouses the curiosity. For such a movie the backdrop of Italian seems to be good. The theme of exorcisms being unsanctioned is a good twist of the movie. Some of the interesting characters are also there in the movie which could have taken the story to a new level. However neither the story nor the characters have reached to an exciting conclusion.

The story of the movie is not good at all, and above that the acting and writing of movie is also totally messed up. The too serious tone and the background music in the movie have made it even more atrocious. The dialogues have also ruined some of the good acting. The R rated language also seemed to be unnecessary and it is proved in the scene when demons makes taunting on the two priests and Isabella. It seemed as if a fourteen year old school boy is making all these taunts he learned.

Another point of notice in the movie is that some of the quieter conversational scenes have seemed as if they are the climax of the movie. The movie could have been good if the mockumentary style had been avoided. If the traditional style had been kept then may be the film would have been more decent. The good shots are also missing in the movie. It was not a tough task to get some of the good shots of the city and location. The location has not been properly utilized. Instead there is unnecessary close up of some people’s faces along with shoddy lights.

The Devil Inside trailer

Red Tails is about a team of American African pilots who was attending training program in Tuskegee during the Second World War. They are facing isolation while they are kept mainly on the field during the war. Red Tails is the first film of Lucas films production since the “radio land murders”, which was released in 1994. The film stars Cuba Gooding jr., Terrence Howard, Nate parker, Tristan wilds and many others. As per the plot the group of pilots was sent to combat in Italy. After reaching there, they recognised that they will never take on fighter to fighter action. Because of it, the pilots of the group have to face the military bureaucracy under the supervision of Major Emanuel Stance and Col. A.J. Bullard. In this group, there are two friends who are pilots as well as roommates well. Their names are Joe lightening and Marty easy Julian. Easy obeys the rules and never takes risk in his life nor in the sky.

Whereas the Lightening flies by the seat of his pants, attacks the enemy battleship along with doing romance with an Italian girl in the countryside. Lightening firstly meets the girl via eye contact from the sky while he was in the fighter plane and her name was Sofia (Daniela Ruah). He got totally infatuated with her and begun a relationship with her. Meanwhile some circumstances occur and they fight with German fighters and they score their first battle over the enemy along with destroying their airfield. During this Ray Gun got injured during the battle and lost his vision. After this Bullard was approached by USAAF bomber command who is impressed with Tuskegee Airman’s and asks him to use his fighters as bomber escorts. They accept the condition and their first escorts’ mission become successful without the loss of a single bomber. Easy is shocked at the unit’ losses and blame himself for it and got involved in alcoholism. Lightening got worried about his friend and in this the story goes with ups and downs.

This Film is based on war but it is less dependent on the subject of war. It is basically aimed on the pre teen crowd and on this section they have worked a lot. Besides having such good actors in the film Lucas has done slightly injustice to them. They are the leaders of the pilots on the ground but they are hardly extensive in the movie. So they are incapable to save the movie in spite of their professional sheen. It has flying sequences and thank god that these are in plenty. These are decently performed and sometimes these are exciting also. But these didn’t give us the feeling of World War 2. It totally looks high-tech as per new era. This feeling comes in our mind when they are fighting with the Germans.

The main problem with them is real touch for which Hollywood is known. Since, Lucas is making this film after 13 years, so everyone was expecting that he will give the film a real touch. But, it shows that he has forgotten how to make a film. This film deserves a better treatment. Because it is a story about the real hero’s whom we see in our life. Since, this project was a dream for Lucas, so we hope that he will comeback with great touch in prequel and sequel of this film. Terence Blanchard has given a very pretty background score. But he also was not able to save the film. Film has worth fact based story but it suffers with one dimensional character, old dialogues. For this film i would say go buy some popcorn, lean back and enjoy the movie.

Red Tails

Tomas Alfredson the director from Sweden and having recently directed the successful movie Let the Right One in, tries his luck with John le Carre’s complicated world. The movie centers around a plot that is complete with several stars depicting conspiracy and treachery.
In the world of MI6 (aka the Circus), bedlam is the supreme force. The movie is about a mission that involves meeting a Russian general who is a traitor to part information related to a mole within the higher ranks of London’s intelligence that goes completely awry. Control (played by John Hurt) who is the head at MI6 and his right aide Smiley (acted by Gary Oldman) redeem this mistake with the loss of their jobs.

However, the mole continues to remain, which results in Smiley surreptitiously recalled from his retirement to identify the traitor. The suspects potential include all the top people at the MI6. These include Control’s heir Tinker Percy Alleline (played by Toby Jones), Poorman Toby Esterhase (acted by David Dencik), the Soldier Roy Bland (played by Ciaran Hinds), the smooth and sharp Tailor Bill Haydon (enacted by Colin Firth), and Beggarman Smiley.

Working with his young charge Peter Guillam (played by Benedict Cumberbatch) and information given by the scoundrel agent Ricki Tarr (enacted by Tom Hardy), Beggarman Smiley is slowly able to unravel the network characterized by deception and treachery. However, he has to work in the shadows to ensure that the Russians do not get any hint of his actions.

An equally famous novel along with an excellent variation of an existing format as seen in the BBC drama whose leader is Alec Guinness, several queries arise related to Tomas Alfredson, the script writers Bridget O’Connor and Peter Straughan, along with the pool of British actors. However, all the queries are satisfactorily satisfied.

The corner stone of the movie is laid in the director’s visual effects that transport the audience to the cold and nervous world of the 1970s spying. The delicately blended touches of the era with the ingenuity of the camera, the director makes us believe that spies exist while continuously prompting the audience to see and question every occurrence. Nothing is left without detail, which compels the viewers to pay attention to every scene and receive the attention.

The transition from the novel to a movie is excellently managed. Although, it is tough to envision the reduction, which is a challenge in itself, the evidence is seen in the two hundred and ninety minutes runtime of this BBC series.

However, Straughan and O’Connor are able to display all the twists in the story while capturing the core of the majority of the characters in the two-hour movie.

Although, the audience may feel reeled by the constant twist and turn in the protected sentences, the meaningful glances, and the faint disclosures, it is exactly how a spy thriller must appear. The movie does not have any car pursuing scenes nor are free runners included to increase the flow of adrenaline. The film is an excellent blend of exquisite story-telling.

Among the actors, Gary Oldman answers all questions related to him by giving his best performance until now. Accustomed to thumping the table and playing bigger than life roles, Oldman easily gets within the character of Smiley with this plain appearance and sharp and intelligent mindset. Being inside the character, he delivers a superb performance, which should definitely bring him a nomination for the Oscar.

Other characters played by Colin Firth are excellent with smart dialogues and Tom Hardy who is the frenzied force playing the scoundrel spy Ricki Tarr.

The Swedish director puts together a tale, style, and intensity that can be trusted only after watching it.

Tinker, Tailor, Soldier, Spy trailer

The initial few minutes of the movie shows the grotesque world of late night baby caring along with the most horrible poop shooting to the face scenes summarizes the film’s story. Commonly in the comedy films, such a sequence is the stepping-stone to hell that Paul Blart, Adam Sandler, and Mall Cop can realize.

In this movie, this scene sets the expectations to as low as possible, which the actors Ryan Reynolds and Jason Bateman are able to demolish expectations with simply vulgar, appalling, and amusing comic settings. In simple terms, this movie is the most funny film of 2011.

Dave Lockwood played by Bateman is a hard-working lawyer who is trying to juggle his duty as a father and still trying to take the time to tell his wife that he cares for her. His best friend Mitch (played by Reynolds) is the complete opposite. Mitch sleeps the entire day and spends his awaken hours enticing sexual associates while being drunk.

The two characters are complete opposites, which is the perfect setting for some switch over concept. On a particular night when they are drinking and mourning the unhappiness of their lives results in them taking a dip in the magical world. In the morning when they wake as fate would have it, Dave and Mitch are trapped in each other’s bodies.

The Change-up definitely follows the Freaky Friday concept, which is not really faulty. The plot is already set, which gives Reynolds, Bateman, and David Dobkin (director from Wedding Crashers fame) the right to directly get in to the humor. Bateman who is developing the fame as the straight Hollywood man is provided with an excellent chance to act as Reynold’s Mitch. The missing censorship of the character allows Bateman to emerge by using some of the most horrifying sentences found in the English grammar. Audience may require a dictionary for understanding the constant flow of slang used to represent the various parts of the body right through the movie. Irrespective of whether you understand the slang or not, coming from Bateman they sound priceless.

The same logic is applicable to Reynolds who comes out of his tag of a womanizer by playing the role of the family man. The judgment about an actor’s diversity can be seen from one scene where he grudgingly is located in the middle of lorno (meaning low budget soft core porn) is warped. However, this scene is excellently acted by Reynolds who makes it seem plausible while make it an agony. Some of the apparent lines, such as: uh oh, Dave will have to cheat his wife while being in Mitch’s body” are warped several times to keep the audience completely entertained.

The change in the movie’s story is probably the biggest twist. Providing the audiences with comedy is one aspect but to show real relationships beneath the comedy is fully satiable. The dithering relationship between the two friends is visible that lets an impossible plan real. In this, Leslie Mann (of Funny People, and Knocked Up) playing Jamie the wife of Dave shares her just emotional moments along with some laughs, which is one reason that her husband Judd Apatow casts her regularly. It is unimaginable to have a film made by the rules of a textbook to have an end that revolves around some sort of an emotional moment is as amazing as seeing an adult throw an infant close to a set of steaks knives. This is what occurs in the move by sheer coincidence.

In the present scenario, where anything is accepted, it is tough to whip up a slap stick and one line comedy that is edgy and leaves the audience laughing till their jaws drop to the floor. This how the movie hits hard.

The Change-Up trailer

The makers of this movie have run out of clever names and this is now the fifth part of the entire series that takes the audiences to a dream world. The complex efforts of Death enable reclaiming the escaped souls. As the demand for bigger budgets 3D movies increase at the box office, will this part of the series be as successful?

The catchy trailers have caught our attention and the audience has enjoyed the previous parts of the flinch movies. The movie is again all about a single man’s visions to save the lives of people from collapsing of the bridge catastrophe. Because, these people had to die, Death is out there to take them in some way or the other.

The dissimilar group includes Sam (played by Nicholas D’Agosto), his ex-girl Molly (acted by Emma Bell), and six other friends and colleagues. One of them Peter (enacted by Miles Fisher) commences unraveling the story on how his girlfriend died in an unfortunate mishap. Then, he takes on the responsibility of defeating Death and takes severe actions to modify his fate.

The survivors are killed one after another, leaving the wise advice of a man who has been a witness before starts haunting them. The bottom line is kill or be dead.

Audience has always appreciated the Final Destination series, which included the last two parts and the dramatic reduction in its quality. However, this movie reinstates the excellence and at times reaches the pinnacle of quality.

Although, this is director Steven Quale’s first movie, it is very patient. The efforts of the director are successful and provides excellent rewards.

The catastrophe, which is the reason for the complete turmoil is an excellently packed action movie, which includes explicit demise and error-free specialized effects. The earliest death sequence comes after some time since the scene depicting the collapsing bridge. However, the scene is very well laid out keeping the audiences at the end of their seats. After its conclusion, it leaves the audience amazed. The scene qualifies as one of the best action scenes of the year.

Not using any quick-fix tricks, such as blaring musical cues and any lighting, the movie catches the attention of the audience in other formats, which are perfectly directed by Quale.

The plot is simply to tempt the audience with an unknown group of people, which is followed by their deaths in ways that makes the viewers care. Definitely not care about the people but the way they are taken away by Death.

Although, the approach seems morose that needs audiences to accept black humor at times to certain painful levels, the movie releases emotions that seem correct by the end of the credits.

The finale leaves several complete gaps that are explorable and enables audiences to accept another series.

The joyful method that the movie adopts for punishing is very joyous and entertaining. Audiences feel the real anxiety, which is fully known to the director who delivers the understanding to the audience who has witnessed it on previous occasions. The reality that plenty of entertainment is received in a movie that is a sequel to four earlier parts is surprising.

The Art of Getting By trailer

The director of Zombieland, Ruben Fleischer gets Jesse Eisenberg for his latest movie. Television favorite Aziz Ansari emerges in to a larger role moving from his supporting actor roles. Audiences are waiting to see his success on the big screen to complement his charisma on TV. On the other hand, Danny McBride plays the same character that he frequently plays.
Jesse Eisenberg plays the role of Nick who is a pizza delivery boy in a company who follows a stringent Thirty Minutes or Less policy. Any delay beyond thirty minutes results in no charges for the order. As he travels across town in his old beaten up car, he realizes that he has nothing big happening in his life.

On the other side of town, two delusional drunkards Danny McBride and Nick Swardson are developing a plot that requires money. In a moment of genius insight, the come up with the perfect offense, which is calling the pizza delivery boy, strapping him with a bomb, and asking him to follow their orders.

In a complicated situation, Nick asks his best friend Chet (played by Aziz Ansari) for assistance. However, Chet lays a condition that Nick must stop taking any interest in his sister.

As the time draws on, the two of them walk on a small crime plot that ends with a brave raid on the bank. Nonetheless, being in possession of a huge amount of money, their problems becoming worse. Finally, the pair of Nick and Chet eventually fall out of each other’s company.

Our first feelings that the movie would be as disastrous as Pineapple Express were nullified quickly. The movie is not one of the recent comedies that are constantly being bombarded in the multiplexes. To begin with, the comedy is based on gags instead of focusing on the characters talking to each other in some weird dialect. Although, there is a single exception here, we are allowing some leeway for McBride and Swardson.

The primary roles acted excellently by Eisenberg and Ansari rely on friendship and personal past history that conveys feeling. The delicate jokes appear natural and the strain created by old injuries also are credible.

Ansari may not appear polished but he improves significantly as the movie progresses. Getting the opportunity to work with Eisenberg will do him a world of good. Moreover, the way he delivers the tricky dialogues appears very refreshing.

However, some not required characters derail the movie to some extent. A town assassin and a money loving stripper do not add to the story. Instead their overt jaunts are completely out of line with the remaining story.

Although, McBride and Swardson seem a little too much, they do know how to tone down before becoming too much. The sequence where the first interaction happens between the two characters is excellent.

The movie is a short, humorous, and an imaginative comedy that is exceeds expectations.

The much required break for Jesse Eisenberg after the Social Network, the movie is perfect for him. The movie is shorter than ninety minutes, and is a small, pointed burst of comedy that cannot go awry.

30 Minutes or Less trailer

As suggested by the title, the movie by Rupert Wyatt is the foundation of a new series of science fiction movies where human beings and the superiorly intelligent apes fight to gain supremacy of the earth. Therefore, the movie needs to show in two hours with sufficient credibility as to how the simian beings would be able to displace the humans bringing in their reign.

The situation was minimally shown in the fourth part of the actual series Conquest of the Planet of the Apes. The movie was elaborate and a time bound ammunition, and although Rupert Wyatt’s is inspired from this movie, it is definitely not a remade version. Moreover, it is not remotely related to the 2001 movie by Tim Burton.

The ostensible ascend commences through the actions of a single careless human, which is similar to several other calamities. Will Rodman (played by James Franco) who is a genetic researcher with extraordinary skills but doubtful morals and works in a fancy bio-technology company based in San Francisco known as Gen-Sys. The primary focus of his research focuses on discovering a cure for Alzheimer’s but with a concealed goal. John Lithgow who plays his father is suffering from the disease and is almost at the concluding stage. Will is almost reaching a get through when one of the test chimpanzees goes awry. This leads to the company’s CEO Steven Jacobs (acted by David Oyelowo) making statements like “I am running a business and not some pet zoo”. The CEO orders the liquidation of all the chimpanzees being tested at the research facility.

While Will is focusing on following the orders, he suddenly finds out that one of the chimpanzees has given birth that cannot be euthanized by him. Rather, Will and his girl Caroline (played by Frieda Pinto) who is beautiful and superfluous get together to implement an incorrect decision to bring up the baby chimpanzee and name him Caesar. Caesar depicts superior intelligence because of his mother’s modified genetic codes and establishes a close bonding with his adopted parents. However, the domestic environment no longer fits his needs, which makes it necessary for him to be transported to a simian surrounding, which is not like it.
Here, the movie is reached its mid-point without any sign of the knowledgeable chimps and the slave human beings. To bring the movie back online, Wyatt takes a shift that is filled with audacity.

The move is abrupt from a toned-down project named Nim to an unrealistic dramatization of the chimps becoming wild as shown in the summer trailers. These are complemented by the screen writers Amanda Silver and Rick Jaffa, which makes the movie’s second half fairly believable and enjoyable by setting a possible first half of the film.

The director is able to maintain an equal balance between the subject and the complete silliness of the theme. Through the various portions of the film, audiences can view some short glimpses of the previous movies and the Ten Commandments directed by Charlton Heston.

The impossible plot is further exaggerated by Caesar’s apparent scheming of escaping out of the Dickensian nastiness. Moreover, he plans a detailed plan for revenge on his cartoonish malicious holders bringing the ape revolution to the masses. The movie gets more unbelievable from this point onwards with the third part being a PETA wet vision. Where the caution stories lead, this movie is as cautious as it can get.

Andy Serkins who plays the role of Caesar is commendable with an excellent performance of the character. However, the division of this credit between his act and the WETA digital technical staff that provided the CG characteristics to the role. Caesar is definitely a full character what being round and completely developed that convinces easily when compared to similar characters depicted with digital technologies. Franco is very creditable as a researcher even with the academic qualifications being a shade dolty. Finally, Lithgow adds some grace to an otherwise thankless character. However, all the real character comes from the dirty chimps.

Rise of the Planet of the Apes trailer

Making a kiddie movie is one of the toughest cinematic propositions. The moviemakers have to cater to different audiences that do not complement with each other. The first are the young kids that are easily amused by a simple story and humor. The second audience are the parents who require some storyline, emotional department, and amusing jokes to avoid them falling off to sleep. Definitely not an easy achievement.

We see the entertaining blend in the animated 3D live movie adaptation of the cute comic of the 1980s, which is shocking and surprising at the same time. The movie Smurfs is superior to the recent animations, such as Garfield, Chipmunks, Alvin, and Marmaduke. The Smurfs embraces the cartoon-ness along with the relishing fact that the movie is able to display anything with the assistance of a few blue people.

The movie follows the 2007 film Enchanted. The start of the movie brings the little Smurf village to life in all its fantasy and color. This is then quickly moved to the cluelessness of the large city of New York. Clumsy Smurf inadvertently leads obsessed Gargamel (played by Hank Azaria) in to the concealed mushroom haven, where they suddenly find themselves along with some other Smurfs, which include Brainy, Papa, Gutsy, Smurfette, and Grumpy on the wrong side of the Blue Moon encouraged worms opening.

The entire troupe lands at the Central Park in New York city. Here they meet Patrick Winslow (acted by Neil Patrick Harris) who is the cosmetic titan Odile. The action commences at this point where the Smurfs take the assistance of Patrick to find their way to home, Patrick trying to find the most appropriate advertising strategy for Odile’s latest line of cosmetics, and Gargamel looking earnestly for some drops of the Smurf soul.

The popularity of the movie would have been reduced if it was filled with stupid jokes and some pop cultural references. However, the depiction of the various characters and each playing its part has provided director Raja Gosnell’s movie with some storyline. What with Clumsy wanting to achieve something larger than his name and Harris Patrick also trying to find solutions to hif problems. Namely who is buttoning up to be a Papa to the baby Smurf on the way with his wife Grace (played by Glee Jayma Mays). The two have enacted their roles with complete sincerity especially in the numerous sequences when they are chasing the Smurfs all over the city. In addition to bringing life to the bigger sequences, they add details in to the smaller sequences.

In one particular scene when Papa Smurf is talking with Patrick for a dad son talk, there is much character that is difficult to achieve in a kiddie movie.

Nonetheless, the movie shows lots of fun, plainness, and simplicity. Azaria is famous for bringing life into comic characters, which is why the Simpsons have been living for over two decades. The goofy Gargamel jaunts are a true inspiration. In a recurring scene when the bad wizard is continuously stepping through the ventilation steamy grates looks fine in the script; however, Azaria is aware of bringing it big and would not allow one moment of the physical humor to fall apart at the openings. However, Harris plays the role of the good man who brings to life that staying with the Smurfs is bizarre in all its imagination. Consider the Brady Bunch Movie as the animated world.

The kiddie movies are becoming rare, which is why the Smurfs is like fresh look. The movie provides a straightforward message along with keeping in mind that it is still an animated movie. The film is an excellent entertainer where the audience will find it difficult to release the comical baggage while smurfing it.

The Smurfs trailer

However, the latest movie is not focused on the characters but revolves around a hook, which is understood in the simple language of a 12-year old child. That is to say that it would be good to watch cowboys from the 1870s fighting with some aliens having exo-skeletons, superior advanced weaponry, and ultra tech spacecrafts.

The book was fascinating for people who did not really require someone to spend $160 million to portray the fight between the two genres. The movie shows the clash of the westerners with the aliens; however, the fight is violent but not much of a combine. At the end of the movie, both the genres are at a loss after the clash.

Jake Lonergan acted by Daniel Craig one day wakes up in New Mexico after losing his memory with a wound and some strange apparatus tied to this wrist. This is followed by sending three thugs having efficiency like Bourne. Jake then rides to Absolution, which a town that seems an convoluted Western Iconography that is displayed by the local historical conservation organization.

The characters include Sheriff Taggart played by Keith Carradine who strives to restore order, a ravenous ranch owner Colonel Dolarhyde depicted by Harrison Ford is the one actually running the show, and Percy the debaucherous and weak son played by Paul Dano. These are supported by others like the saloon keeper Doc acted by Sam Rockwell, the preacher Meacham played by Clancy Brown, and the spiritual adviser amongst others. Jake plays his own role in the movie as the evasive train thug that is brought out by the wanted posters and the Sheriff accusing him of stealing his bullion. Ella played by Olivia Wilde does not blend with the complete setting as she is neither a prostitute nor the wife of any character. Her character is the conventional role in Westerners that arouse your doubt.
Jake Lonergan who is caught and scheduled for a trial at Fed court. However, before this event, down come a whole bunch of alien aircrafts that besiege the town and take several of its citizens as hostages. In the midst of the chaos, the device on Jake’s wrist provides plenty of clout in defending them against the alien attack. The circumstantial alliance between Jake and Dolarhyde tries to combat the attack from the outside world and defeat the aliens.

The movie possess flavor to make it a summer blockbuster; however, Cowboys and Aliens does not stand up to other bigger budget movies (that are better directed) to enable it make it as summer crowd puller. Even with five excellent writers, the movie lacks in imagination and vitality. And what about the Favreau from the movie Iron Man? The playfulness and cheekiness of the previous movies is all but missing in this movie. This makes the film far more serious than it actually should be. Hey, there are horsemen being chased by six gunmen with battling laser guns and aliens. Just chill.

Craig definitely looks his character of a western villain; his staunch enemy in the movie being the rugged and handsome Viggo. Craig’s character becomes as insignificant as that is provided by his angry look. Moreover, Wilde is poorly depicted with an overburden of clunky expositions. Although, the relationship between them is depicted, it remains ghastly under-developed during the entire movie. The best character is played by Harrison Ford who has the best dialogues in the movie along with the touchy sub-plot. This includes his adopted son acted by Adam Beach who silently coaxes human feelings in to the grayish old person.

Cowboys and Aliens trailer

For this, he creates sparks between an ancient rivalry on his side, the Ansgardians, and the FrostGiants of Jotunheim. Thor is a character who is arrogant and ignorant and doesn’t see anything else other than punishment and revenge. He decides to defeat the Frost giants in Jotunheim along with his friends. The movie then goes into a great action sequence, where we get to know about Thor’s power. The act is interrupted by Odin, who banishes Thor to the Earth, as a punishment for his childish behaviour. He is then made to live as a Human being among other humans. He also sends him the hammer, after dismantling its power.

The story takes a new turn here, and in New Mexico, Thor meets a lovely Scientist Jane Foster, enacted by Natalie Portman in this movie. She finally finds herself in the midst of Thor’s banishment, and from then on, Thor gets contact with the Human beings. He is now fragile and vulnerable, yet powerful in his own ways. In fact he is now a charming character unlike what he was in the beginning. He also finds out about his hammer which had fallen among some human beings who mistook it to be a satellite. Amidst all these, the secret organisation SHIELD gets a hint of all the mysterious happenings and takes over the place. They steal Jane’s work and surround the area where the hammer fell. Cheated by her own kind, Jane decides to help Thor get the hammer. He gets past the agents and all security and reaches the hammer, and tries to lift it, but fails. Then he gets caught, interrogated and he also gets to talk to Loki, who tells him that Odin is dead and that he is the king of Asgard. He claims to be the saviour of Asgard and allies with King Laufey of Jotunheim. Another main character we get t know is the gate keeper Heimdall, enacted in the movie by Idris Elba. One can see that the character played by Idris was a perfect ne and would feel bad that there wasn’t much of this character to view in the movie.

As the story progresses, a relationship develops between Thor and Jane. Loki tries to kill his brother, when he realises that Thor has understood all truth, and this is one good action sequence in the film. But the second action scene is much below the first, and this is the breaking of unwritten laws that had been present for many long years in the cinema field. Usually the viewer expects an upgraded version of the action sequence as the story progresses, but Thor is a movie that doesn’t follow that rule! Tony Stark gives every information about anything weird that may happen on the earth. He gives a picture about strange weather, the immovable hammer and a lot many other weird happenings. And finally all we get about him is just a reference! You could see everyone was there next to Stark but he wasn’t there! He was just a name that was mentioned. This was one error you could find in the logic of the movie. Though the movie has its own funny events and jokes, we really don’t get what is the connection between the Earth and the Asgard, and the story happening on the Earth looks a bit unimportant! In the final act of the movie, Thor goes back to Asgard, defeats Loki, and becomes the king of Asgard. The final was actually rushed up; the final fight is won by Thor so easily that you feel it was pointless in seeing the whole movie. It was a kind of repetition; the search for maturity and redemption, which we are all too familiar with and also tired of hearing!

Still, the best aspect of the film is that Hopkin acted his role of Odin beautifully, and so did Hiddleston do, with his character Loki. Moreover, Chris Hemsworth carried the character of Thor so perfectly that people would definitely not forget the character, and it would be alive in the hearts of all people who has watched this movie. Even the romance and the scenes with Natalie were made perfect by both the actor and the actress. Natalie was as sweet and shy as ever, and not like a serious scientist who had a serious face of romance. The role of her friend Darcy, enacted by Kat Dennings, was a bit annoying though, and with her jokes an dialogues it looked like she was the typical example for a movie filler, whose story had no meaning at all in the whole sequence!

The technical side of the movie went very well. Though the 3D scenes were a bit messed up in some places, other than that the technicality was good and the sequence of travelling through the space was extremely good. They had good costumes matching the film’s requirements and impressing visual effects too, but still, Asgard looked very unreal, more like plastic! It didn’t look good or convincing. The angles chosen for the camera in certain fight scenes, and the contrast also had some problems, but altogether it could be called a good movie, though definitely it could have been made a lot better. The music in the movie did match with the film sequence abut wasn’t very touchy or something that would make you melodramatic in the end.

You can call it an entertainment movie, with good quality, but you cannot consider it as the best piece of film or the bets of the projects from that film maker; he could have done much better to improve the quality! You cannot call it a well-structured film, or a film in which all characters are perfectly balanced with each other. You can also see here that the fight scenes, unlike other movies, get simpler and pointless, instead of getting stronger and wilder. Moreover, there are lot of technical issues, and the story is too weak for a Thor movie! One can call it a decent movie but not a very classy one, looking from a viewer’s point of view, the film is too flat!

Thor trailer